Joseph Beuys - Cada Homem um Artista

Few artists in the 20th century rivaled Beuys in aesthetic rupture, artistic breadth and the continuous experimentation of his unusual process of artistic expression as a sculptor, performer, pedagogue, radical thinker and social and political activist.

Every Man an Artist is proof of this, because it did not result from an interview, or a discourse of ideas, but from an action by the author.

100 days in a row at one of the most important international meetings of contemporary art (Documenta V, Kassel, 1972), where Beuys did not exhibit, contest or demand, but rather constituted himself above all as the Information Workshop for Direct Democracy - "to whom should we delegate the power of human life?" - as it was constituted over three decades in various movements and institutions.